Why the Essence Festival Must Remain in Black American Hands

🎷 Rooted in Rhythm

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🌱 The Essence of Essence

More than a festival, the Essence Festival is a sacred drumbeat. Since its founding in 1995, it has honored Black joy, resistance, spirituality, entrepreneurship, and artistry. Every summer, New Orleans becomes a sanctuary for celebration and cultural reclamation. Its power lies not just in what happens on stage, but in who shapes the stage itself.

Black people must manage the spaces where Black culture is exalted. This isn’t gatekeeping—it’s guardianship.

🧠 Stewardship Over Spectacle

When Black organizers lead Essence, they protect its pulse from dilution and extraction. Their stewardship means:

  • Authenticity in narrative: Programming rooted in experience, not algorithms
  • Economic reciprocity: Opportunities and revenue directed toward Black vendors, creatives, and communities
  • Spiritual continuity: A rhythm that remembers its origin stories

The Essence Festival is not just a brand—it is a living archive of Black brilliance.

💰 Cultural Capital & Ownership

Essence is one of the most profitable cultural festivals in the country. But profit without protection leads to the gentrification of the soul. When external entities manage Black events, it often signals a shift from culture to content, from communion to commodity.

Black ownership ensures the labor behind the joy is compensated, credited, and sustained.

  • 🔥 Essence as Resistance
  • From Michelle Obama’s electrifying addresses to radical panels on reproductive justice, Essence has always wielded joy as political power. But that power must be curated by those who understand its stakes—emotionally, historically, spiritually.
  • Outsourcing that responsibility is not just risky—it’s erasure in slow motion.
  • 🎤 Final Note: Keep the Rhythm in Our Hands

Essence is our Sankofa, our cipher, our revival tent. Its heartbeat should always be held by those who feel its rhythm in their bones. Black leadership of Essence is not just about representation—it’s about reclamation.

Let the bassline stay ours. Let the stories be sung by those who lived them. Let Essence be our sanctuary—and our stage.

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Published by Michael

Harold Michael Harvey is a Past President of The Gate City Bar Association and is the recipient of the Association’s R. E. Thomas Civil Rights Award. He is the author of Paper Puzzle and Justice in the Round: Essays on the American Jury System, and a two-time winner of Allvoices’ Political Pundit Prize. His work has appeared in Facing South, The Atlanta Business Journal, The Southern Christian Leadership Conference Magazine, Southern Changes Magazine, Black Colleges Nines, and Medium.